...is an American icon. Most, if not all, of us have followed his career with interest. Going way back, my Hawaiian jazz singer friend Jimmy Borges told me once about being the resident host and singer at a club in San Francisco called the Hungry I (http://en.wikipedia.org/wiki/Hungry_i), which was the jumping-off place for the careers of many entertainment luminaries, including Cosby. But my story picks up a little further along:
In the early 1970s, I played trombone in the orchestra of Don Ho, the famous Hawaiian entertainer. Don was always on the lookout for celebrities in the audience whom he could ask to join him (or goad into joining) onstage and wow the audience. Cosby was in one night, and Don invited him up. Cos came onstage and looked for a place he could comfortably stand and deliver his routine du jour. The stage was crowded with musicians, as Don had added a string section, and Cos looked around, then down at me (I was seated in the front of the orchestra), grinned, and settled his rather large foot right on top of mine. And proceeded to do fifteen minutes, while standing on my foot.
Cosby went on to become a superstar in the true sense of the word, but he is a jazz lover at heart, and one of his regular "gigs" has been hosting the Playboy Jazz Festival at the Hollywood Bowl. On one occasion when I was performing there with the Gerald Wilson Orchestra, Cos introduced the band, and as the turnstile cranked us around to face the audience, I jumped up, ran over to him, and said something like, "Hey, Man, I'm the dude whose foot you stood on at the Don Ho show thirty-five years ago." He responded, "Was that You??" and gave me a big bear hug.
Therein lies the tale of my close encounter(s) with one of my favorites: I Spy, Fat Albert, The Cosby Show, etc. Perhaps there'll be another meeting down the road. Fond memories...
Saturday, April 14, 2012
Oh no! Not another "legend!" It seems so easy to drop that handle on someone, some movie star, singer, or whatever. They are legendary, they are great, they are one of a kind, etc. But, this night, I rubbed elbows with a true legend of jazz--again. The legendary, great, one-of-a-kind jazz artist Gerald Wilson rides again. I've played lead trombone with Gerald's big band for sixteen years now, and it's as fresh and exciting as it was the very first time. Gerald was born in 1918 in Shelby, Mississippi, found his way to Detroit, studied music at Cass U., was one of the first black (may I use that term for a "person of color?") men in the U.S. Navy in a non-menial job (he, along with the late trumpet legend--see, there's that word again--Snooky Young, were in the Navy band at Great Lakes Naval Center). He later played with the legendary (oops, it's becoming a habit; but there are legends in jazz, some of whom are not mentioned as frequently as they should) Jimmy Lunceford band, then with Count Basie. He wrote for both bandleaders, and also for the legendary Duke Ellington. He was the first bandleader to record in Capitol Records, on an album accompanying the legendary singer Nancy Wilson in 1963. Gerald started his own big band in Los Angeles in 1947, I believe, and still leads it today at age 93. He is as spry as a youngster when he's in front of the band, and still knows exactly what he wants to hear and how to get it out of the band. I listened to recordings of the band while a college student in the 1960s, and when I was in the Air Force, a hot dog stand behind the PACAF band room at Hickam AFB, Hawaii, had a juke box with Gerald's recordings on it. I would listen and wonder how someone might possibly ever get to play with such a wonderful band. My own career advanced, and I was recruited by the legendary Buddy Collette to perform with his band. In 1996, the Library of Congress brought three West Coast bands from L.A. to Washington, D.C. to perform in the then newly renovated Lincoln Theater. Buddy's band played the first night, Gerald's the second, and the legendary Benny Carter the third night. Gerald attended the performance of Buddy's band, heard me play, and asked his contractor to begin calling me for his own band. In those intervening sixteen years I have missed only one performance with the band, when I was on tour in Japan and couldn't get back to the States for a concert.